Hero

Hogni

Giuki’s son and Gunnar’s brother; he carries the family side of the decisions in Sigurd’s death and Atli’s aftershock.

Norse Lichen iron editorial illustration of Hogni for the atlas detail view.
MythWeave AI-generated editorial illustration, Norse portrait v1 full approved batch

Overview

Hogni represents internal family judgment. He is involved in Sigurd’s death, then shares Gunnar’s fate in Atli’s gold-driven violence.

Relationships

  • Giukifather of

    Giuki is Hogni’s father.

  • Sigurd's Deathshares decision

    Hogni is involved in the brotherly decision around Sigurd’s death.

  • Atlikills for gold

    Atli kills Hogni for the gold.

  • Kostberawife of

    The poem calls Kostbera Hogni’s wife.

  • Kostberawarns

    Kostbera urges Hogni not to go, reading both runes and dreams.

  • Snaeverfather of

    Snaever is called a son of Hogni.

  • Solarfather of

    Solar is called a son of Hogni.

  • Atliorders death of

    Atli orders Hogni’s heart cut out.

  • Sigurdswears oaths with him

    Sigurd and Hogni are both inside the oaths of Gjuki’s sons.

  • Gunnarrefuses oath-breaking

    Hogni says the oaths sworn with Sigurd should not be broken by swords.

  • Brynhildnames her anger

    Hogni says Brynhild has whetted Gunnar’s hate.

  • Brynhildforesees the Niflung fall

    Brynhild says the whole Niflung race will die.

  • Gudruntells of death on the southern road

    tells of death on the southern road

  • Gudrunforesees brothers’ fate

    foresees brothers’ fate

  • Atlihas Hogni killed

    has Hogni killed

  • Knefröthinvites him to the hall

    invites him to the hall

  • Gudrunwarns with a wolf-hair ring

    warns with a wolf-hair ring

  • Gunnarasks his counsel

    asks his counsel

  • Atlirides through Myrkwood

    rides through Myrkwood

  • Gunnarfights for his brother

    fights for his brother

  • Atlitakes Hogni’s heart

    takes Hogni’s heart

Story appearances

Ancient sources

MythWeave distinguishes ancient-source evidence from later adaptations and modern interpretation.

Open in the interactive atlas →